Debord and Marquez at Fifty

When you feel that urban studies are like magic realism…

andy merrifield

Just as mainstream politics plumbs the depths, this year’s Golden Jubilee of Guy Debord’s The Society of the Spectacle and Gabriel Garcia Marquez’s One Hundred Years of Solitude helps radical politics soar. With spellbinding brilliance both books continue to fascinate and grip readers. Each transforms the world we thought we knew upside down as well as inside out; and each, in turn, puts that world back together again, right side up.

Few think of Debord, the prophet of spectacular capitalism, as a magical realist, just as fewer still would see Garcia Marquez, the prophet of magical realism, as a theorist of the spectacle. Yet it’s possible to conceive both men in this guise and posit their respective masterpieces as works of art that push reality beyond realism. Right-wing politicians and tabloid media do this all the time nowadays; maybe it’s time the Left carries out its own pushing beyond realism…

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